Vernacular fiction essay writing also achieved broader acceptance throughout society than the more experimental genres like vernacular poetry, which several custom essay leading fiction writers, including Lu Hsün and Yü Ta-fu (1896–1945), avoided in favor of classical poetry. Similarly, the new nonoperatic hua-chü (spoken drama), a custom essay form derived from Euro-American models, violated the traditional formalistic expectations of Chinese theater audiences much more severely than the new vernacular fiction confounded its readership with unfamiliarity (see chapter 42). In part custom essays for this reason, a surprisingly essay paper large number of the century’s leading essay writing Chinese fiction writers who had a dramatic flair for crafting vivid and memorable dialogue did not write even a single custom writing hua-chü.